Chapter Ten: Ferocious Mythicals

The Illustrators may be able to change at will as something similar to mythical creatures, but their ability is not exclusive to them. In as much as they are the revered class of their own, with a reputation that is similar to what was described for those with beings capable of having loving hearts, they are unaware of the surroundings that would later on become their sinister rivals.

The ferocious monsters that have been attacking the Vicariate for quite awhile now actually existed even before the Illustrators were legally accepted by the See of Dunster, so it is nearly impossible for them to have commanded these mythical creatures to attack and turn itself against to what is generally referred to as the Rennaisance Society.

All of them (especially the Bishopric) were unaware of what was being plotted against them, so it naturally came as a shock, surprised beyond belief, although the Illustrators themselves are not angels, and this is their fatal weakness. Anger that is stirred within the Illustrators who depend mostly in visual media to process their thoughts and actions are easily manipulated, and this remains true in all of the conditions noted.

A total destruction begins within, and this tactical move has been very successful in infiltrating the Imperial Synod. One by one, and methodically, they have planted evidence and motives using the mythical creatures to spy on them, and later on to stir disagreements until diplomatic solutions will no longer work, and a war is nothing but inevitable.

But this strategy takes years to implement, and those perpetuating the crime is very patient in waiting for the effects of their actions. Some of these perpetuators are Taxonomists themselves, while some are part of the Literary Committee. Ultimately, the Empire will fall and crumble into pieces, and it is almost late for the Angels to intervene.

However, these things are happening all at once, within the space and time and element, so this war has become the waiting game for all parties to reach the exact critical time, and finally destroy the Physical Clock, which has been under the control of Lucifer the Devil himself.

The story of conflict begins with the ferocious mythical creatures being linked to the Illustrators in some point within this story as later on to be narrated, and emotions will be high as sentiments are consistently being offended, while others accuse some people in the government with gross discrimination. The order of peace began to tilt at that precise moment.

But before this story reaches that inevitable conclusion, two more murders will be discovered, both with the same mysterious findings and impossible circumstances. At this point, the Scientific Council will be forced to ask the Scientific Assembly to approve a Joint Operation with the Literary Committee, in order to investigate exactly what was going on.

As the investigation continues, there are peculiar matters that will be discovered that will shake the very foundations of the initiation of this inquiry. Things are happening without any form of established explanation (almost similar to the impossible bond), whether drawn from the physical and social sciences or literature, and this has prompted Taxonomy officials to keep doing the process of revealing what was potentially happening under the heading of a very secretive operation.

Everything is very confusing, and they are clueless as to what will happen next.

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